Showing posts with label assemblage. Show all posts
Showing posts with label assemblage. Show all posts

Sunday, February 21, 2010

The Fine Line Between Creativity and Clutter

There's a fine line between creativity and clutter -- and I walk it every day. Sometimes I'm on the creativity side, sometimes I'm on the clutter side -- mostly I straddle them both. 

Since I've recently had the excellent talents of my technical designer brother Jeremy at my disposal (he's since taken a full-time job in addition to his growing business and abandoned me, but that's another story), I took full advantage. I waved my arms around to explain my ideas of creating systems that would support my work, and he interpreted those dreams into realities of wood, hardware, and paint! (I'm so grateful to have his shaman-like ability tempering my creative visions with his engineering-ness -- and encouraging me in the process. I LOVE this guy to pieces!)

You saw the Wall-o-Jars that I posted a few blogs back. Well, here are two more ideas that have already boosted my ratio of creativity to wallowing-in-stuff-I-can't-get-to:

Precious Finds at a Glance: A set of shallow and narrow shelves that hold all my one-of-a-kind found bijoux. Since I work my found objects in jewelry sizes (smaller goodies than my assemblage buddies), I could afford to gather them in one area where I could see the whole collection at a glance. The shelves' placement in my studio also serves to engage my moodling mind with future projects each time I walk by.


 (Here's a close-up: noisemakers, vintage buttons, toy wheels, pipe-cleaner chicks and Eight Balls galore.)

 
On-Deck Works: I enjoy playing with a number of projects simultaneously. I group components for budding  jewelry pieces in these black trays where they audition (this is my friend and studio assistant Becky's term). They remain there until they "get the part"  to work on a portion of them at a time. Some never make the cut and their components go back on the narrow shelves or into beading inventory.

Note how the trays slope down from the wall (like the magazine racks at your local library), so that they, too, are in prime moodling position!

 
Am I more productive with these systems in place? Sure, if you agree that  freeing up my studio floor for little things like walking help! Now I'm ready(er) for loads of jewelry makin'!

Sunday, August 02, 2009

WonI: Proof I Found "It"

Sometimes you don't know what you don't know. But this time was different. This time, I did know that some thing was missing in my new work direction, but I didn't know what it was, really. I couldn't put my finger (nor my pliers) on it. Then "it" came to me -- "it" became a reality this week.

I discovered the missing link at Micheal deMeng's demented toys workshop at Valley Ridge Art Studio (thank God proprietors [the lovely and wonderful] Kathy Malkasian and her [what-a-guy] husband Bill bring awesome instructors to Wisconsin ).

Sure I'm into iron wire (more on my upcoming iron wire jewelry book in another blog), and vintage an-y-thing, and junk lovelies -- but I've been toying with found plastics lately 'cause: a) I love color; b) I adore whimsy (and a lot of plastics are toys); c) there's sure a lot of it out there for cheap (I LOVE cheap); and d) I can claim I'm green (so chic) instead of cheap (just plain uncool).

The problem is that as much as I love whimsy and color, I love patina even more and could never marry my good old junk with my awesome can-only-be-so-old plastic treasures. The old didn't jive with the new and I was forgetting my collage/assemblage problem-solving tools.

The "IT" (and the answer to my dilemma) is using paint to visually blend disparate objects like those in (working title) WonI Strikes Warrior Pose. Formerly a Belle (Beauty and the Beast) Happy Meal toy before literally losing her head, she's now a pendant and happier for it. Thanks Michael for providing my "IT" sooner than later!